Gypsy

With some trepidation, I procured two tickets to see Gypsy at the Savoy Theatre in London. True confession - my first choice was Martin McDonagh's Hangman, a play that I discovered was harder to get into than Harvard (more on that in a later post). Concerns centered whether this would be the vibrant theater experience we so enjoy or an archeological dig.   

Having been some time since our last visit to London one can easily forget how utterly charming and enveloping the London theater experience is. The audience is calmly guided to their seats during the opening notes of the overture as the lights slowly dim. A genteel version of what sometimes can be the brusque New York City ”traffic controllers.”

In 2015, Gypsy remains fresh, vibrant and relevant.  What was formerly referred to as "Stage Mother Syndrome" in 1950 has evolved into the "Tiger Mom" in the 21st century; the difference being that there are now psychiatric diagnoses to describe Momma Rose and the effect on her children.

The casting of Imelda Staunton as Momma Rose, to a large extent, personifies the difference between the Broadway and London theater. I have absolutely nothing negative to say about the relatively recent incarnations played by Broadway royalty Patti Lupone (won the 2008 Tony for Best Performance by a Leading Actress in a Musical) and Bernadette Peters, but Ms. Staunton brings stellar, impeccable acting chops to the role without the superstar fanfare. Potentially, this wouldn't work on Broadway but is magnificent in its native setting - London.

For anyone who saw Laura Benanti (won the 2008 Tony for Best Performance by a Featured Actress in a Musical) in Broadway’s most recent version of Gypsy, they will in no way be disappointed with Gemma Sutton as Gypsy Rose Lee.  Ms. Sutton hits every note both literally and figuratively.

Gypsy is a big, bold musical painted with broad brush strokes.  More than in any prior viewing I found that this production attended to and developed the fine lines that this musical is capable of providing. The emotional journey that drives each of the characters along their path intimately unfolds in front of the audience.

As Momma Rose says "Some people got it and make it pay. Some people can't even give it away." This show has got it.  If you're in London, go see it.

Review by JMG

 The Savoy Theatre has binoculars for hire right at your seat