Shining City
A big star in a small theater is a rare New York treat. Much criticism has been hurled at star driven theater but there are certain plays and certain performances that really justify how these performers attained their status. This is one of those performances. The vulnerability and utter charm that Matthew Broderick brings to his tormented character, John, are what power this beautifully written Irish tale.
Our show is presented at the Irish Repertory Theatre, which in the recent past has produced Frank McCourt's The Irish . . . and How They Got That Way. A fitting subtext of this performance might be; A Big Star and How He Got That Way.
In 2006, New York Times theater critic, Ben Brantley, called the Broadway production of the new play Shining City by Conor McPherson “A quiet, haunting and absolutely glorious new play.” Now having seen both productions, in my opinion, it is this one that truly brings this story to life.
Matthew Broderick as John and Billy Carter as Ian
The story is a series of soliloquies that border on poetry. The Irish writers just seem to have a way of doing that. In a short scene, we meet Neasa, played by Lisa Dwan, who provides a totally mesmerizing presentation of a woman on the verge. The story is almost a connect-the-dots series of stand-alone vignettes but by play’s end, the big picture of the Shining City is complete. I found it riveting from beginning to end.
Unlike some recent long, hard drives e.g. Long Day's Journey Into Night and Streetcar Named Desire, Shining City is Irish theater with power steering. Unfortunately, word of mouth precedes this review and the run is sold out (closing July 3rd). After-market tickets are available. Check your local online thief, err, reseller.
Why we went: Reopening of the newly renovated Irish Repertory Theatre, Matthew Broderick, Conor McPherson, the Irish.
JMG
Critics note: I have recently been accused of “loving everything.” This is completely untrue. Although I find something to enjoy in almost every theatrical experience, there are certain performances that really ring the bell. It is those performances that tend to make it to this blog. An additional factor is that over the years I have become quite skilled in picking the things I’m going to like. Not wanting to bias my opinions, I avoid the rest.